Review by Kathleen Costa
It is post WWII. Long retired to
his Sussex farmhouse and suffering from the onset of ‘senility,’
93 year-old Sherlock Holmes (Ian McKellen) is greeted by his housekeeper Mrs.
Munro (Laura Linney) and her son, Roger (Milo Parker). He has returned from Hiroshima with a questionable treatment using a prickly ash
mixture to stave off his mental and physical decline. Dr. Watson is long gone
and with a failing memory, he is compelled to pen his last investigation, The
Case of the Dove Grey Glove, before his memory will not allow it. A close
relationship unfolds between Holmes and young Roger often soliciting an opinion
about the case as a mentor would with an apprentice along with sharing the responsibilities for caring for his
apiary. Dr. Watson may be absent, but Roger appears to fill that void as
companion and caregiver.
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| Image Source Miramax |
With troublesome symptoms of senility,
Holmes flashes back to his final case and sets out to pen his version of the
investigation. He recalls, thirty years long gone, a husband Thomas Kelmot
(Patrick Kennedy), distraught over the changes he observes in his wife Anne
(Hattie Morahan), who is struggling in the wake of two devastating
miscarriages. The husband is very uneasy with her behavior after she takes an
interest in the glass harmonica…did he hear her call out the names of her
departed children? As Holmes follows her, he sees evidence of her dark
intentions. Approaching her and divulging his conclusions, she asks that they
share in the strain of their loneliness. His reaction suggesting she return to
her husband has devastating results leading to his self-imposed exile.
Seeking a treatment for his mental
decline, Holmes flashes back to his travels to Japan where he is greeted by Mr.
Umezaki (Hiroyuki Sanada) who confesses he and his mother are fans of his
legendary personae and is eager to find the prickly ash he is sure will
successfully manage his symptoms. Mr. Umezaki and his mother are surprised that
many of the characteristics they were interested in from Watson’s stories had
been “created by his imaginative license.” He indicates, “Deerstalker? I never
wore one,” and “I prefer a cigar.” Showing Holmes a letter, Mr. Umezaki
explains that his father went to England many years ago and sadly never returned
having indicated in a ‘Dear John’ style letter he sought Holmes’s counsel and
advice. Holmes says he has no recollection of his father saying that he may
have “wanted a new life.” They part, the young man crushed by Holmes’s words.
Although honesty is the ’best
policy,’ Holmes curmudgeon-style can be a brutal pill to swallow, sometimes
with unforeseen consequences, and when young Roger mirrors this style Holmes looks
deeper into his own behavior and that of those around him. He concludes his
story, has a revelation about Watson’s motives for some of his literary
embellishments, and tries to settle feelings with a truth about Mr. Umezaki’s
father. Life is uncertain for Holmes, but he seems secure in the idea that he
is not alone.
This film was the perfect end to a
lustrous life. Ian McKellen was the epitome of the iconic figure, and Milo
Parker, as Roger, emulated well Watson’s caring companionship and delight in learning
from Holmes. The added focus on Holmes’s ‘bees,’ prickly ash, and royal jelly
led me to seek out more information wondering if there is a natural therapy for
my own occasional lapses in memory. I teared up when Holmes created his own
‘circle of stones’ similar to that which he observed in Japan, and Roger goes off to teach his mother about the
bees.
As a ‘Sherlock Holmes’ fan,
this movie earned a 5/5 pots of honey and royal jelly!
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